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But if you want a particular range of that tone, you can’t modify it like Capture One can in the “Color Editor.” When you do modify a tone, if it’s on the border of any other color, the posterization is very clear and unflattering. You can only select a color and then adjust sliders. For instance, the “Color Correction” tool is limited and can’t dial a specific range of colors. For me, among the three, it fell into last place here. The positives almost end there, as the color and exposure tools really had no substance in comparison to Capture One or even Camera Raw. That lead to more clues about what’s to come. There is distinct mid-tone separation and complexity with colors that Corel’s AfterShot doesn’t have. Photo by John Schell, Processed Through Capture OneĮven within areas like the sweaters worn by the models, you notice natural color variations within each thread of fabric. Corel’s AfterShot was much better and coming closer to Capture One Putting it through its paces, I soon learned a couple of fundamental points.Īs you can see, and not shockingly, ACR was awful in color rendition. Let’s see what’s under the hood and how it runs! If you’re familiar with any other raw processor, it will all make sense to you. A positive of the program is how easy it is to navigate and understand. Jumping in, the first element was the layout.
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I was excited to play with Corel AfterShot Pro 3 because the root of my digital transition into art started with Corel programs like Painter. Now within the photography world, the ability to play with various raw converters allows me to explore more tools that may prove helpful.
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Aside from images that specifically state otherwise, each of the photos below was not adjusted in any way, other than to be opened in a different RAW processor.
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The full review is still in progress.īelow is straight from the expert himself, Pratik Naik. This is not Resource’s full review of AfterShot Pro 3, but a retoucher’s perspective on the core RAW algorithms.
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Pratik is incredibly knowledgeable on the subject of RAW processing software and understands not only what should be happening, but why something is or isn’t following along that route. To help us really evaluate the software, we once again enlisted the help of one of the best retouchers in the world, Pratik Naik of Solstice Retouch. Our last test pitted Affinity Photo against Adobe Camera Raw (ACR), and we found Affinity to be superior in it’s core algorithm. If you’ve been a reader of Resource, you’ll recognize that we do this every time we catch wind of a new raw algorithm, because there are so very few out there and the way they treat the same file is fascinating to look at. Though AfterShot Pro 3 is a lot more than the sum of its parts, and we are presently conducting a full review of the software, we did want to take a look specifically at that unique raw editor. It has many of the same features, some even more robust than that of Adobe’s, and has a proprietary raw algorithm unique to Corel products.
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The new Image Preset Library lets you browse, preview and download free and for-purchase presets.Earlier today, Corel announced AfterShot Pro 3, a program that looks like a legitimate threat to Adobe Lightroom’s dominance. Now it’s easier to tap into the power of presets to automate more of your repetitive processing jobs or quickly reproduce a look that would otherwise be tedious to replicate. Remove dust, spots, smudges and a variety of imperfections on any photo.
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The new Blemish Remover offers circle, brush, polygon and freehand tools for detailed editing, making portrait editing faster and easier. Save time and edit faster by doing more touchups and photo corrections in AfterShot Pro 3, rather than jumping to PaintShop Pro or Adobe? Photoshop?. Powered by a new algorithm, this feature lets you access more of the data in your RAW files for superior image quality. Regain more of the detail and tone from your overexposed photos with enhanced Highlight Recovery. Apply watermarks to individual photos or batches, and easily adjust size, rotation, position, transparency and more.
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Deter unauthorized copying, brand your photos with your logo or contact info, or add text and graphics. Protect and promote your work with versatile Watermarking features. NEW!BeforeAfter Comprehensive Watermarking Import, process and output faster, and get back behind the camera where you belong with AfterShot Pro 3. It’s the photo editor that reveals your true creative potential and frees you: from high costs, from endless subscriptions, from hours spent editing at your computer. Corel AfterShot Pro 3 is up to 4x faster than Adobe Lightroom.
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